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Nan Sampson – Author

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Nan Sampson – Author

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A Bomb, a Space Ship Pilot and Girl Scout Cookies

25 Friday Feb 2011

Posted by Nancy Bach in The Writing Journey

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Writing

Finally. I finished the scene in the seedy hotel room. I had to use a Muse bomb. Not Holly Lisle’s definition of a Muse bomb… hers is more literary and potentially more useful. No, my Muse bomb is where I can’t figure out how to get the people out of the dang scene and moved on to the next bit, so I literally throw a bomb at the characters. This time it was my nefarious antag’s son’s henchmen throwing it. And actually, it worked out really well. The main protag and another character are now forced into an alliance, the bad guys have the complete upper hand, now having their real kidnap target in their possession, and the stakes have gone from being high to astronomical.

Not bad for only 500 words.

That was all it took to finish the dang scene. And it only took me a month. Sheesh! That’s, what… like 16 words a day. It will be 2012 before I get to type THE END at this rate. Just in time for the world to end. Somehow that’s fitting…

And sadly, even though I’ve finished the scene and have the big rescue all set up to write, the momentum is still not there. I can’t seem to get my head back in the game. I feel like Corwin of Amber, navigating the final arc of the Pattern. Every footstep takes a lifetime, every inch forward a herculean effort. And I don’t think it has anything to do with the story. I’m still convinced it’s fear — with a healthy dose of laziness thrown in. I can blame it on the dicey situation at work, but I’ve been living with the threat of them shuttering the business for a year now. I can blame it on the distraction of the whole car drama. I can even blame it on the Girl Scouts. It’s cookie sale time and I’m a Troop Leader for my daughter’s Brownie Troop. So between soliciting cookies sales at work, collecting cookie money and distributing cookies, I feel like I’m working a second job. Then, there’s the whole exercise and eat right thing. I’m trying really hard to eat right and exercise everyday (cause only the Gods know if I’ll have health insurance in a couple of months). So I’m cutting up fruit and vegetables and packaging them for lunch, putting together healthful casseroles the night before, so dinner is prepped and ready to be made the next evening, or loading up the crock pot so I can switch it on in the morning before I leave the house. And working out on the dreadmill or the cucumber bike (that’s my daughter’s name for the recumbent bike) every evening for 30-45 minutes. So that takes a huge chunk out of the three hours I have in the evening. Not to mention dishes, laundry, doing homework with my daughter, and every other little damn thing.

So. Lot’s of distractions and excuses. And after all my obligations are done, I plop down in front of the TV because, I deserve some relaxation time, right? I mean, I work my butt off, surely I deserve to watch an episode of Royal Pains or NCIS, right? Or maybe read a book for an hour, right? Right?

Yeah, I can hear you out there, jeering, booing. Jabbing your righteous sticks through the bars of my self-imposed cage. “Sheesh,” you say. “It would only take you 20 minutes to cobble together 500 words. Surely you can find 20 minutes a day.”

Or maybe, “You just don’t want this bad enough. If you did, you’d stay dedicated to it. That’s what real successful writers do.”

In my writing courses, I always tell students that it’s about creating habits. That if you write everyday, you’re more likely to be able to write every day. You train the brain by repetition. So why am I having so much trouble taking my own advice? What pay off am I experiencing that keeps me from working towards the goal that has driven me since I was four years old and able to put words on paper?

Or are you people right? Am I just too lazy? Do I just not have what it takes, because I lack both the dedication and the discipline?

Ooooh. Now you’ve done it. You’ve gone and thrown down the gauntlet. Nobody tells me I can’t do something. Nobody tells me I’m not good enough (except of course, for myself).
So you challenge me to write 500 words a day, do you? And you’re really sure I can’t do it, aren’t you? Because of my track record to date.

Well… I’ll show you! PHHHBBBTTTTTT!!!!!

Okay. Off to write 500 words. (mutter mutter grumble grumble can’t tell me what I can and cannot do I’ll show them no faith am not lazy mutter mutter) Oh and just so I can have the last word, your mother is a hamster and your father smells of elderberries! Haha!

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How to Bait the Trap – or Victuals & Libations to Lure the Muse – Part 3

24 Thursday Feb 2011

Posted by Nancy Bach in Stalking the Wild Muse

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Writing

But, some of you are asking, why go through all this trouble? It’s just a snack, after all, right?
Oh contraire, gentle readers. Muse food really serves three functions.

First, you are now armed with one of the writer’s secret weapons. A moment of decadent joy. This pampering can be a great pick me up when you’re deep in the work and need a treat (or bribe, depending) to keep yourself going. (For instance – if I write three more sentences, I can have six Cheetos. Or, to celebrate the end of this blog entry, I’m going to have a bowl of Cheetos.)

Second, if you reserve this special feast for times when you want to lure in creativity, your mind will begin to associate these foods, and the vessels you’ve chosen to serve them, with your writing. This allows you easier access to that coveted writing head space that is sometimes so hard to achieve, setting the stage in your mind that it’s now time to get some serious creating done.

Finally, there really is something to creating a treat for the Muse. Mythical creatures require magical care, and setting aside something for them, even if only symbolically, can help you connect to your Muse in a way that transcends the mundane world we live in, allowing you to channel the mystical stuff that makes writing creatively possible.

You awaken at dawn with a start. The sound of chanting fills the air as your native porters go about the business of starting breakfast. The eastern sky is salmon-hued, as the first sliver of a golden sun edges above the horizon.

You pull yourself to your feet with a groan, stumbling a bit, muscles and joints complaining after a night spent curled on the cold, hard ground. A few bug bites itch intensely (something about scorpions? Do they live in the savannah?)

Suddenly you remember the reason why you subjected yourself to such a night, and you look toward the Muse trap – then stare in amazement.

Something thrashes violently in the trap!

Scarcely daring to breathe, you creep closer, to peer between the slats of the trap. A pale, glowing eye gazes back at you.

It is a gaze like no other. You are mesmerized, enchanted. And even as you feel this, the creature in the trap ceases it’s thrashing, apparently entranced as well.

You are filled with the most ebullient sensations and you realize you have the energy to write a hundred – no, a thousand books. Plot problems dissolve like the morning mist, characters are infused with pulsing life and you itch to get to work on your latest project.

Elated, you reach for the latch of the cage, wanting to embrace your little Muse, to thank it.

But the moment the door of the trap is opened, the Muse bolts, disappearing into the brush so fast you could not even describe what it looked like.

For a moment you are crushed. So close, and yet…

But there will be another day. You’ve caught it once, you can catch it again. And you realize, with wonder, that the creative surge the Muse fueled in you still remains, despite the creature’s escape.

Next time, you vow, you’ll not make the same mistake. But for now, you head into your tent and pull out your portable field typewriter. There are words to be written – and there is no time like the present!

Likewise, once you bait the trap with Muse food, and partake of your feast, it’s time to get to work yourself. Go. Create. Carpe diem!

Copyright 2011 by Nan Sampson All rights reserved.

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Obituary for a Car

24 Thursday Feb 2011

Posted by Nancy Bach in The Writing Journey

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Writing

So I lost my Jetta this week. No, I didn’t misplace her in a night of drunken debauchery — although that probably would have been preferable. No, she was a victim of vehicular homicide. It was icy on Monday morning. Black ice. I wasn’t even out of my subdivision, on my way to work, when a woman in a Honda, coming home from work, lost control of her car and slammed into me. It was the longest 4 seconds in my life, watching her coming straight at me and me completely unable to do a thing about it. I swerved to the right, and as she rammed me, shoved my car up onto the curb and into a fire hydrant. Her car smashed the left side of my car in the front and the fire hydrant did the same to the right. Broke the axle and everything. Given the fact that my car was 11 years old and had over 170k miles on it, the insurance company, despite my pleas, determined it was not worth fixing. Yeah, right. They don’t have to make my car payments. As soon as I apply for a copy of my title (it’s been 7 years, I have no idea where said document is), they’ll give me $2500 for my poor baby. Granted, for my car, that’s generous. But it doesn’t go very far towards a new one.

It took me a good four hours just to stop shaking from the adrenline surge and the shock. Banged my head on the side window, somehow scraped and bruised my knee, wrenched my shoulder from the seatbelt and twisted my ankle. And I was only going 5 miles an hour!! My glasses flew off my face, broke against the dash. It took me ten minutes to figure out why I couldn’t see anything.

So… I’m a writer. Surely there’s grist for the mill here. As I think about my current protag, as she’s running from the baddies, taking fire, getting blown up, I’d like to think her reflexes, her courage, her ability to function on an overload of adrenaline would be far superior to mine. Because I now know for a fact, that faced with oncoming destruction, my brain fogs up, my senses dull, and I become and addle-pated, babbling idiot. I’m sure the EMT guys who checked me out once they’d pried me out of my vehicle would concur whole-heartedly with that assessment.

Still, some of that shaky, hyper-speed, revved up behavior should be evident in even the most phlegmatic and battle-hardened action heroes. So let this post be my reminder that when I go back to revise, I need to pepper in some of that, to give the thing verisimilitude. Gods know this experience has to be good for something, right?

Of course the bad news (other than the premature demise of my sainted Jetta, no matter that the air conditioning didn’t work, the cup holder was broken and the glove box wouldn’t stay closed) is that since Monday, my whole life has revolved around trying to figure out how I was going to pay for a new vehicle and then finding said new (cheap and crappy) vehicle. What a freaking nightmare. All of which has completely derailed my writing.

However, much like my heroine, Maggie, I may falter, but I always get back up. Kind of like a Weeble. So okay. I lost three days. It’s now Thursday and it’s time to get back in the saddle. I have a new car, which I am NOT in love with (but don’t tell her that, she can’t help being inferior to my beloved Jetta), and have almost figured out how I’m going to make the car payments. It’s going to be a complicated process, involving taking what little savings I had in investments, cashing all that out, putting it all against the car loan, then having to refinance my loan for the new smaller amount to make the payments smaller. Did I say what a freaking nightmare this all is?

And tonight, after I finish doing homework with the small fry, I’m going to sit down and start committing words to paper again. Or pixels to monitor. Or whatever. I have a new added incentive. I need to sell this book (or many many copies of it, to be precise) in order to afford my astronomical car payment for my cheap, crappy car that will be a rust bucket before I even have it paid off.

Nothing like desperation to light a fire under one’s keister. Do you suppose this is what the Muse had in mind when she took over that Honda woman’s body and smashed my car into smithereens?

Knowing my Muse… you’d be a fool to bet against it.

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How to Bait the Trap – or Victuals & Libations to Lure the Muse – Part 2

20 Sunday Feb 2011

Posted by Nancy Bach in Stalking the Wild Muse

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Writing

A cup, a cup, my kingdom for a cup!

Now that you’ve got your perfect Muse food in mind, the next step is to find an appropriate container to both hold the food item and, equally importantly, to attract the Muse. My Muse happens to be attracted to fine bone china in a violet pattern. Others might like a fiesta ware bowl, or a vintage square Tupperware Christmas plate. And for some of you, a Styrofoam cup may even suffice.

The caution here is not to spend the next two years searching second hand stores, antique malls, and the houseware departments of various stores seeking that special item. The point is to find something that you already own or that can be easily and affordably obtained for your purposes. (Which is not to say scouring antique places and flea markets and so forth doesn’t have its own appeal, and also can make excellent artist’s dates. Just think of all the characters and dialogue notes…)

Once you’ve got that ‘grail’ in your hands, you’re nearly ready.
* * *

“Now, Bwana,” N’gawa says, “Place the coveted food item in the bowl and go hide behind the tree at the edge of camp.”

You do as you’re bid, squatting in the thorny undergrowth of the savannah, hoping those aren’t fire ants you feel crawling up your ankle, and there, as the sun beats down overhead,, and the heat shimmers above the dunne colored grasses, you wait in patient silence for the Muse to smell the offering of the Cheetos and come.

And wait. And wait. And wait…

Several hours later, you’re no longer able to feel your legs. Sweat has plastered your camp shirt to your back, and the afternoon sun has seared the back of your neck like a broiled tomato. Your native guide comes out of your tent, where he has been taking a refreshing nap in the relative coolness there, on your camp cot covered in fine Egyptian cotton linens. He approaches your hiding place, making little attempt to keep quiet. In fact, he’s whistling.

“What luck, bwana?” He smirks at you.

“None yet,” you mutter darkly.

“Perhaps you need to give the Muse something to drink too.”

Wait, did N’gawa’s accent just slip? For a moment, it sounded almost as though N’gawa had had the benefit of an Oxford education…

But that thought quickly vanishes in the light of his brilliant suggestion. “Yes! Eureka!” You shout, rousing your entire contingent of dozing porters, and disturbing a male lion off in the brush, who lets out a reverberating roar.

“A libation!” Then, more quietly, “That’s it. The Muse also requires a libation. N’gawa, what do we have on hand?”
* * *

Muses, just like writers, cannot live by bread (or Cheetos, or chocolate, or garlic mashed potatoes) alone. This is why, in part, so many writers keep high priced coffee houses and quirky neighborhood pubs in business.

So now it’s time to think about your favorite beverage, your poison of choice. Is it a bottle of Orange Nehi soda? A bottle of Chateau Neuf de Pape? Or maybe a soy, half-caff Macchiato with whipped cream and a sprinkle of nutmeg? Or how about a pint of Old Peculiar ale?

What form of liquid bliss makes you feel writerly? Comforted? Puts you in that special frame of mind necessary to create?

Whatever it is, it’s good Muse Bait. So hie yourself off to the local dispensary and lay in a cup or a pint or a bottle of whatever floats your boat. And install it forth with in your Muse trap, right along side your Muse Food.
** *

You gingerly place your libation into the trap, your hand hovering for just an instant over the tantalizing feast. You realize you’ve missed the elegant dinner the porters prepared while you sat in the brush waiting for the Muse, and you’re starving. But no – these sacred victuals are for a far nobler purpose than filling your empty gullet.

You pull your hand away and as you straighten, N’gawa smiles at you.

Once the trap is set you slip quietly through the darkness to hide again among the bushes, there to await the coming of the Muse, secure now in the knowledge that your trap is baited correctly.

Darkness surrounds you, the sky now a blue-black blanket, awash in stars. Time passes and the sounds of the night lull you into a deep drowse…

Okay. You’ve found you Muse food, and your beverage, you’ve placed those morsels of orange, crunchy goodness in the vessel of perfection and the beverage along side.

What did you say? What do you do now?

Why, you feast, of course!

Oh, you could leave them on an altar – or the kitchen table, or the corner of your desk – for a bit, if you are so inclined. But just as in ancient Egypt, when the priests of Amun provided a feasts for the representation of the god to eat, after an appropriate amount of time had passed for the god to partake of his ethereal sustenance, the priests would then feast themselves. There was no point in letting all that good food go to waste, and so it is with Muse food as well.

So feast with abandon upon your Muse food, quaff the sacred libation, and know that as you do so you are filling your soul with the creative spirit, even as you’re making your mouth and tummy happy!

Enjoy! Your Muse will thank you.

Copyright 2011 by Nan Sampson All rights reserved.

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How to Bait the Trap – or Victuals & Libations to Lure the Muse – Part 1

20 Sunday Feb 2011

Posted by Nancy Bach in Stalking the Wild Muse

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Writing

Muse Food. Food of the Gods. Ambrosia. Call it what you will, it is that food – the one you’d walk two miles through the densest jungle, braving leopards and snakes and all manner of hostile natives to get, that is the best food to use to bait your Muse Trap.

Join me now as we emabark on a journey to track down and lure the wild Muse. Consider, if you will, the following scenario…

Imagine. You’re in camp, on the trail of the wild Muse. The sun is sinking down towards the horizon and the jackals are starting to yip, far too close to camp for comfort. You’re surfeit after an enormous meal your porters have prepared for you, and yet, you’re still craving something. Suddenly a native rushes into camp and begins babbling at your porters in their native tongue. You stride over and demand from your chief porter and translator, N’gawa, that he tell you what’s going on. He gives you that hundred yard stare, the one that always unnerves you, but his tone nevertheless remains respectful as he replies, “It is nothing really. A bit of useless news. One of the locals says that there is a huge supply of Cheetos sitting in the middle of a trail about two miles to the west.” He points into the dense jungle.

Cheetos, you think, what I wouldn’t give for Cheetos. Hurriedly, you lace up your walking boots and grab your machete.

Your porter stares at you. “Where are you going, Bwana?”

“To fetch the Cheetos, of course.”

“But Bwana, the trail is difficult, nearly impassible, and it’s growing dark. There will be many dangers. And it is, after all, just Cheetos.”

“Maybe ‘just’ to you, my good man, but to me, they are the food of the gods, and I must have them. They will be the perfect bait.” At least, you think, those left over after you’ve feasted yourself…

“But what of the snakes? The leopards? The army ants?”

“They’ll just have to get out of my way,” you declare. You take a few strides in the direction N’gawa had pointed. “Coming?”

N’gawa shakes his head, in the manner of all natives confronted by mad adventurers, but hurries to your side, then leads the way into the forbidding jungle…* * *

In order to lure the wild Muse into your life – the first time, or anytime it has gone wandering – one of the best ways to do it is to create a feast. And the perfect food for that feast is whatever food you’d do almost anything for. So think long and hard, and pick just one.

Copyright 2011 by Nan Sampson All rights reserved.

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The Flavor of Dreams

19 Saturday Feb 2011

Posted by Nancy Bach in Stalking the Wild Muse

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Writing

Had several bizarre dreams last night. One of them involved my best friend’s sister-in-law, who is seriously ill. That one, while it made no linear sense, I can recall pretty clearly. But there was another one that eludes me, although I catch glimpses of it out of the corner of my eye as I go through my day today. I can taste it. A fleeting thing, a flavor I’m not aware of long enough to savor, just enough to register it’s uniqueness. It evokes the dream, but doesn’t bring it back. It teases. And niggles. It hits me in odd moments of quiet. It’s like it wants to be remembered but is somehow unable to communicate directly with me.

Sometimes I think this is the Muse talking to me. One of my favorite authors and writing pundits, Holly Lisle, posits that the Muse doesn’t communicate on verbal terms. So dreams and other subconscious, non-verbal cues, are the path to understanding what the Muse has to say. On mornings like this, as I try to grasp smoke, I completely concur.

So what’s She trying to say to me? Well, damn it, if I could remember the dream, I might have a clue. But I can’t. It’s just a vague flavor. Something smoky, like lox or almonds. The idea occurs to me that I should find a half an hour or so to take a little nap, go back into that Delta state where I’m clearly more receptive. It would be nice if She could just leave me a voice mail on my subconscious answering machine, so I could pop back into REM and pick it up at my convenience. But there is NOTHING convenient about my Muse.

But no. No napping today. Today is Saturday, a busy day full of doing the marketing, preparing meals for the week, running to the pharmacy, doing laundry, giving the dog a much needed bath and finding the horizontal surfaces in the kitchen at the very least. I don’t see much opportunity to spend time napping… or even in quiet contemplation (O Navel navel navel navel…). So I’m sending out a message to the Muse, for Her to communicate with me a little more directly, in order to tell me what it is She’d like me to know. A picture in my head instead of words. Me, kneeling in supplication, offering up a bowl of Cheetos and a cup of Pumpkin Spice Latte to Her Exaltedness. In my vision, She smiles, accepts the offering and touches my forehead, where upon a light bulb appears over my head, like in the comics and I have an “aha” moment. Yah, no, it needs to be more direct. Like say, maybe She hits me with a brick upside the head, and suddenly all is clear. Okay, that’s more like it. She should know by now that with me subtle doesn’t work.

Maybe I should pop a couple of Excedrin Migraine now. You know, just to be prepared.

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Day 2 – In Which I Am Eaten By Sharks

18 Friday Feb 2011

Posted by Nancy Bach in The Writing Journey

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Well, okay, only metaphorically. Apparently, much like Amelia Earhart, my metaphorical writing plane has crashed in the inhospitable vastness of the Horrific Ocean, and I am surrounded by sharks. There’s the dreaded Mak-upyourmindandwritethedamnedscene-o shark, the Great White Hope, the Hammer(another nail in your career coffin)Head, and the dreaded Bull (sh*t, that’s what this scene is) shark. All of whom now surround me. Fear is a great thing, when you’re actually swimming in the non-metaphorical ocean, with real sharks. It keeps you alive. But here in the wine dark sea of my inner landscape, these fears keep me from moving forward. I am frozen at the keyboard. And the damned sharks are going to eat me alive.

I’ve been stuck on the same scene for weeks. I even know how it’s supposed to end. And it does what I want it to, moves the story forward to where I want it to go. Where, dare I say it, IT even wants it to go. And yet, I can only squeeze out a handful of words every four or five days. I’m bleeding my story out slowly, drop by drop. And the sharks are circling, drawn by the smell of story blood and the thrashing of my inner self as I inch closer to The End.

Is that what this fear is? A fear of finishing? A fear of what comes after finishing? A fear that it’s been six months of torture for a mess of monumental proportions? Or am I heading in the wrong direction with the story entirely, and this is the Muse’s way of telling me I’ve lost my way? Refusing to work until I suss out the correct heading? I feel like I think Amelia must have felt, trying desperately to contact Howland Island on her radio, getting nothing but static, looking below where she thought her destination ought to be, yet seeing nothing out the window but blue-green waters iced with whitecaps horizon to horizon, with no land in sight. Which way, O Muse? Left? Right? Up, down? Kittywumpuss? Through some dimensional portal I can’t quite make out?

I only know that if I let the sharks eat me this time, there won’t be a sequel. No soap opera death here, where unbeknownst to the viewing audience, I magically reappear after a several month hiatus (in which I was appearing in a show off-off-broadway), having, MacGyver-like, carved my way out of the shark from the inside with a knife fashioned from something I found in its stomach, just in time for a dark-haired, blue-eyed, muscular Irish hunk to come along in his Uncle’s fishing boat, haul me aboard and row me to safety. This is one of those make or break moments.

And the only weapons I have at my disposal are this pretty green and white flash drive, and a pumkin spice latte. Wonder what MacGyver would have done with those?

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Adjusting Altitude

17 Thursday Feb 2011

Posted by Nancy Bach in The Writing Journey

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Writing

So writing is a balancing act.  Much like Icarus, I need to fly high… but not so high the sun melts the wax holding my wings together.  Lately… okay, more than lately, I’ve barely managed to get above the treeline.  Taller trees tend to knock me flat.  And trust me, getting airborne again either involves a lot of running or jumping off cliffs.  I’m not fond of either.

So how do I manage it?  Keeping aloft, and yet not getting to close to the sun?

That’s what I intend to explore in this blog.  I’m currently flying low.  What the flyboys call coming in under the radar.  I need some lift, and my flaps seem to be stuck.  Or my engine’s stalling.  Or maybe I’m just out of gas.  And you know how dicey mid-air re-fuelings can be.

I’m longing to gain some altitude.  I’ve actually forgotten what it felt like being up there, way high, the heat of that golden orb burning my skin.  But somehow, I’ve got to get there again.  And at the moment, the only thing I can think to do is to flap harder.  I’ll let you know how that works out!

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